Matthew Good – With special guest VillagesDATE jeu mars 05, 2020 jeudi 05 mars 2020 Événement à 8:00
Admission Générale: $39.99 (Plus HST and Service Fee)
Centre Bleachers: $44.99 (Plus HST and Service Fee)
Les billets en vente maintenant!
Ouverture des portes à 18h00; Événement à 19h00
Restriction d’âge: aucune
Pour acheter des billets par téléphone ou pour acheter des sièges accessibles, veuillez téléphoner Ticketpro au 1-888-311-9090 ou visitez la Boutique de cadeau du Casino.
The Molson Canadian Centre proudly Presents: Matthew Good – Moving Walls Tour!
Leave it to Matthew Good — peerless singer/songwriter, bona fide if reluctant rock star, notorious straight-shooter — to transform a simple question into an astute observation about people’s relationship to music. To wit: ask Good to sum up his dazzling new solo album, the sumptuous, orchestral, and wildly multifaceted Moving Walls in an elevator pitch, and the B.C.-based performer responds not with a snappy list of styles and moods but with a clearheaded analogy fit for the era. “Twenty years ago I’d be dying to tell people what my music sounds like and where it should be slotted in,” Good says. “Not now. I made a piece of art and it’s out there in the world for anyone who chooses to find it. “Given my age and that it’s mostly acoustic, I guess you could call Moving Walls adult contemporary. It’s not a rock record, that’s for sure. But in this day of everyone knowing everything, I really like the idea of people figuring things out for themselves.” And there you have Moving Walls, and Good’s highly decorated and decades-long career, in a nutshell: he writes it how he sees it, straight from the heart. How the music is interpreted or consumed matters less than the fact that it’s simply heard. The methodology has worked wonders for Good since he emerged in the 1990s fronting the acclaimed Matthew Good Band, and it’s kept him true through umpteen solo albums, culminating in the 15-track Moving Walls, which was recorded at the legendary Bathouse Studio in spring 2019 with multiple marquee guests.
“I had the album name going in. It seemed symbolic given what was going on in my life,” he says. “It’s the idea of being in situations where things just keep moving. Even something as seemingly permanent as a wall can be disassembled.”Entirely written by Good (who adds guitar, synthesizer, and all lead vocals) and cut with long-time collaborator, producer/engineer Warne Livesey (who adds various instruments while sprinkling pixie dust throughout), Moving Walls is at once a revelation and a return to form.Buoyant lead single “Sicily” for example, finds Good traversing familiar pop territory, setting a chiming chorus against propulsive electric guitar from ace musician Stuart Cameron. Then comes the iridescent “Boobytrapped,” with its soaring cello and viola and Good’s achingly poignant lyrics, which find our man alone in a car at night, feeling “Quiet, like a lake must after the summer’s gone.”
“That song is about being lost but also about finding someone,” Good offers. “After going through a lifetime of wrong people, and feeling booby-trapped to begin with, then feeling like you’re not. I juxtaposed the verses and the chorus in between talking about a very solitary thing: driving and parking somewhere alone, which I do, then sketching out the empty spaces.” Elsewhere, the candlelit, slowing-building ballad “Selling You My Heart” offers an extraordinarily intimate window into Good’s creative process throughout Moving Walls, which was at once challenging yet supremely freeing in its execution. “During this album, I was living with my mom and dad. I moved here after my divorce. My dad has dementia and now terminal cancer, so I’ve been helping my mom,” Good says with estimable candor, no doubt reflecting the reality of many people old enough to clearly remember the 1990s. And maybe also the 1980s.